1. |
Générique
02:18
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2. |
Départ
01:44
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3. |
Rencontre Brisson
02:30
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4. |
Serge sur l'île
02:26
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5. |
Filature
01:07
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6. |
Thème Alba & Serge
01:29
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7. |
Chef Charon
01:35
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8. |
Poursuite
01:35
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9. |
Lettre de Lola
02:12
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10. |
Départ 2
01:27
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11. |
Serge Assommé
03:50
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12. |
Deux Rockers
00:56
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13. |
Chef Charon 2
02:16
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14. |
Grand mère Antoine
00:30
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15. |
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16. |
Alba & Serge
01:24
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17. |
Départ Serge
01:43
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18. |
Serge & Lola
01:04
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19. |
Générique de Fin
02:11
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Bernard Parmegiani Paris, France
1927 – 2013
Bernard Parmegiani is a pioneer and leading light of electroacoustic music. He
leaves behind him a vast and fascinating œuvre, a priceless heritage for today's generation.
His life was structured around a few mainstays: working in a studio filled with machines, lighting a pipe filled with Amsterdamer, in the company of his wife (“first ear”), and not least, a few affectionate cats.
... more
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supported by 79 fans who also own “Rock”
go to album
supported by 75 fans who also own “Rock”
J'écoute les compositions de ce musicien formidable depuis des années ! Il ne m'a jamais déçu. L'acousmatique est d'ailleurs un style plein de bonnes surprises (Dhomont, Normandeau...). Pour moi, mais ce n'est qu'un avis personnel, il fait le pont entre la musique contemporaine et l'ambient. Comme le "Persepolis" de Xénakis.
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Les Soleils de l'Île de Pâques / La Brûlure de Mille Soleils // Double Album
by Bernard Parmegiani
supported by 51 fans who also own “Rock”
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Of Shadow and Substance
by Lea Bertucci
A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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Images
by Colin Andrew Sheffield
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes.
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Cataclysmic System Binding Loss
by Carbon In Prose
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose.
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Nuits Blanches au Studio 116
by Ariel Kalma
supported by 51 fans who also own “Rock”
Merci d'être passé au mat pour la cover. Le brillant me déprime, c'est politique, c'est l'époque. En plus, on est tellement bien avec Ariel, c'est politique, c'est maintenant. Merci, on boucle, en continu.
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